an hommage to adam green by regina spektor, father john misty, devendra banhart, the libertines, jenny lewis, sean ono lennon, frankie cosmos, the lemonheads and many more.

das dritte album von adam angst.

the new album from adam green finally available on vinyl!

typical adam bayer techno. tip

house / disco

emotional melodic afro track on keinenmusik für die besonderen momente auf dem floor

incl famous female vocals, huge tip!!

2024 repress!! the next summer hit is coming

without artworkcover

collaboration of adam beyer and raxon, departed in day and night

ten dub workouts from adam prescott for moonshine recordings.

180g vinyl! the summer of 2008, the echo inspectors are touring germany. one of their stops lands them in koln, after getting their fix of record shopping at kompakt they would meet up at a local bar with pawas who just remixed their latest record. joining the guys for a mid afternoon beer would be local producer and friend of pawas, adam kroll. fast forward to 2020 and adam would reappear on the radar as adam k.roll with a fresh new dub sound, completely different to the minimal techno records of the mid 2000s. this fresh take on dub would capture the interest of the echo inspectors. many dms later would lead to adam producing five fresh tunes for primary colours. trying to describe adams music is not easy. adam seamlessly blends the sounds of dub techno, ambience, electronica, jamaican dub and an infusion of summer island sounds. primary colours has the honour of re-releasing one of their favourite adam k.roll tunes, into the ocean, initially released digitally on adams on bandcamp page, into the ocean has been reborn on wax. we loved it so much that we got the echo inspectors to remix it into a formidable dub techno groover. kick back, sip on a fine whiskey, light a little number and immerse your aural senses to the sounds of the final call.

4 panel digipac /album features the legendary niles rodgers + 12 page booklet

straight, rolling techno tracks who know exactly where they want to go

limited 20th anniversary edition on transparent magenta vinyl.

20th anniversary deluxe double vinyl edition.

mitreißende, gutterale und basslastige space cadets bekämpfen den prädisponierten anschein von weltraummusik mit einer sammlung schneller, packender und kompromissloser clubmusik.

future music from new kanada s frontman adam marshall. sometimes its hard to categorize certain tracks and these ones are from outa space. it reminds me a lot of the time when we all discovered the first playhouse records from isolee, losoul and soylent green. magic moments which at first listen maybe not seem to work on the dancefloor because they are too challenging, but if you find the right moment they gonna work wonder…tip!

it’s evident in poland’s thriving creative cultures from the provocative art of katarzyna kozyra to the literature and poetry and films of wojciech kuczok. it’s evident in the stark optimist architecture of daniel libeskind. it’s evident in krakow’s thriving club scene and the country’s bubbling pools of electronic music talent. it’s everything catz n dogz do: their attitude, their music, their labels, their wooded festival and, perhaps most importantly, their friends. not just there to carry you home, friends carry you everywhere. and right here on ‘friends of pets’ catz n dogz are carrying their companions’ creativity with the same esteem and pride they host their polish festival. a cultural statement and powerful showcase of their country’s great thinkers, creators, collaborators and disrupters in electronic music, across 16 tracks

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

new kanada welcomes londons bob bhamra into the chamber, with this two-track breaker from his west norwood cassette library (wncl) guise. >say what?< is a broken sub workout, with a strong nod to the hardcore continuum. distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. >flashlight< is an aqueous solution of damp funk that will resonate the head and drop the lights. gaseous and moody. on the flip is a slow burner remix of >flashlight< by adam marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of moog.

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

special edition pressing from the mighty drumcode. label boss adam beyer teams up with ida engberg for an epic workout in the shape of unanswered question, remix comes from the in demand dense and pika. pressed on limited edition ink blot style 2 tone coloured vinyl this is not to be missed!!

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

nkltd enters the fall season with a simmering two tracker from adam marshall – backed with a tough remix from torontos kevin mcphee (idle hands, naked lunch).

limited backstock action !!!

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

new kanada hits the quarter century mark with a long, subtle 10-minute analogue jam session. with milosh (plug research/k7) on vocals and melodies, and adam on the mixing desk - the single sided vinyl release is made for the long mix. a real slow burner that climaxes with an emotional payoff at the 5 minute mark. gavin russom meets talk talk. red, yellow and orange.

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

new kanada drops into summer with two new cuts from adam marshall

nice price deal !!! mixtape sessions is a subdivision of west end recordings. check this new 12inch from adam cruzs debut album life and times.

solid building acidic mini tech two tracker

beautiful vocals by adam clay, a beautiful groove by oceans four and 2 beautiful remixes by fedo mora and farma add up to one beautiful record!

ultraphat microphunk killer tracks... incl rmx by seth troxler & shaun reeves!

cynosure flag ship artist and label navigator mike shannon reaches into his archives and selects the much-anticipated “the box ep.” “the box is open” was always a highlight of many of mr.shannon’s dj sessions and live acts. this cut delivers nostalgic, old school of detroit, soulful, techno jack. a ton to digest there but there really is no other way to sum it up. adam marshall graces the ep with a stormer of a remix. taking things a step further, adam really explores a different use of the chords given to you in the original. a smooth kicking set of drums and ever elevating sequences of synth keep you on your toes never really knowing exactly when things will drop. definitely a production trait that adam is best known for and it never fails on the floor. howie mangel